Manifesto





Let’s invite audience to a different kind of experience.

Let’s invite audience for connection to their bodies, feelings and curiosity.  

Let’s invite for inner transformation.

Let’s invite for catharsis.

Let’s invite for reflection.

Let’s invite for wonder and aesthetic.

Let’s invite for immersive experiences.

Let’s invite for audience to look at their own creativity.

Let’s invite for sensuousness.

Let’s invite for connection between human beings.

Let’s invite to look at one person's problems as universal problem.

Let’s invite to dare to be.

Let’s invite for awareness and presence.

Let’s invite for interaction.

Let’s invite for silence.

Let’s invite for noise.

Let’s invite for taking away the line between reality and fiction.

Let’s invite for taking away the line between spectators and actors.

Let’s invite for duality.

Let’s invite for beauty and calmness.

Let’s invite for chaos.

Let’s invite for compassion and love.

Let’s invite for play.

Let’s invite for dance.

Let’s invite for an experience.



Where in the world: Where it is necessary to create intimate and sensuous experiences.

What kind of space: The space is to be warm, soft, dark, light, sensuous and interactive. It is a building with several rooms. It is a safe space, it is utopia, a space that is not what is outside of that space. It is a calm space, but a space where it can be a lot of noise as well. To enter the space audience prepare with slow movements. To be more responsive for using senses to feel, hear, touch, taste and see. No one is having the same experience and journey. It is a poetic journey. Audience gets information about what will happen. This way they will feel safe and not judge if they are doing something right or wrong.

Who is it for: For people that are curious, and wants to explore poetic and sensuous sides of themselves.

Who acts in it: People that are comfortable to hold space for others. People that are comfortable to not judge other people. People who wants to play. A person that is present in themselves. The performer are not themselves, but their poetic selves. They are a poetic character based on their inner wildness. The inner wild wants to share their inner wild with the audience, to help the audience find their own inner wild.




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